Best Pianist/Keyboardist 2005 at Hollywood's Musicians Institute, Alberto joined productions in the progressive rock scene (Derek Sherinian, Planet X, TJ Helmerich) right after graduation, worked as an assistant in sessions at the iconic Cello Studios, prepped music for some of the best musicians in the LA jazz scene and even landed a gig with pop star Joss Stone.

After honors on jazz piano performance with Berklee College of Music, Alberto opened Fuseroom Recording Studio in 2007 as a place to teach, produce and work on his music.

In the years, Alberto has worked for artists and bands like Roger Burn (Chaka Khan, The Mask, Saturday Night Live), Shapes, David White (Mad Max: Fury Road), Anna Oxa, Marco Masini, Derek Sherinian, Planet X, Garsed/Helmerich, Morgan Heritage and more, while also working with leading brands in the gaming industry such as Riot Games (League of Legends), Bohemia Interactive (Arma), Blizzard Entertainment (Overwatch) and aviation technology giants such as Qatar Airways and Etihad Airways.

Alberto also works as a product specialist for audio hardware manufacturers like Dangerous Music, Universal Audio, Wholegrain Software, Lauten Audio, and Focal, while being one of the brilliant minds behind the success of pureMix Audio Tutorials, since 2013.

Since 2019, Alberto has mainly focused on composing for video games and film, with two solo records coming out in 2021 (Future in the Past) and 2022 (The Outskirts), showcasing his signature style for music that fits sci-fi, cyberpunk post-apocalyptic and dystopian genres, blending post-rock with orchestral, world music, fast-paced electronica, and breakbeat, ranging from epic cinematic to atmospheric ambient.

His work has been licensed to Audi, Fox Sports, Ubisoft, and Netflix.

I had the pleasure to write ambient music and jump scares for the new episode of the "Fears to Fathom" saga, called "Woodbury Getway", by Rayll Studios.

I have enjoyed playing some of the previous episodes, and I have always thought Rayll is one of the most talented and cool indie game developers out there, from the past years. Writing music for the latest episode has been a blast... and diving into some eerie, twisted, and disturbing atmospheric moods has haunted me (in a good way) for weeks.

Available on Steam and Bandcamp

In a futuristic world, the key to human survival is lost, somewhere within the outskirts of a huge city. A team of five high-profile operatives is tasked to find and retrieve it. During their journey, they travel to five iconic and atmospheric landmarks, depicted by the five songs.

In the middle of the album lies the objective of your mission.

Available in all major digital stores

The Bandcamp version of the EP comes with an exclusive "Backstory & Commentary", about the video game and soundtrack concept. Check it out!

My latest work is a sci-fi, cyberpunk and dystopian original soundtrack in which digital elements of electronic music meet organic, real-life acoustic ethnic instruments from the Middle East, Africa and Asia, along side the power of bit-crushed and mangled string and brass sections.

Journey with me through distant dark cities, spaceports, overcrowded market areas, underground tunnels and more.

Available in all major digital stores

This album is also available in a limited run of floppy disks, usually no more than 10 per song. These floppies will not be re-printed once sold out and they are unique. Compatible with MS-DOS, Windows and Commodore Amiga computers.

All revenues from this project are going to support my free music education programs in real-life and online, helping younger and older people who are at a disadvantage to learn music and become proficient artists and composers, because everyone has the right to create, craft and express themselves through art.